Adeline Kueh
  • Biography
    • CV
  • Gallery
    • Felt: Love, Remedies and Textures
    • The Fabulous Stories to Save the Green Planet
    • The spectral faith of our minor flirtations
    • Bergen Senter for Elektronisk Kunst, Norway
    • Re-Connect / Centre / Converge (The Substation)
    • Singapore Tyler Print Institute VAP Residency
    • Hermes Spring 2016 Windows (Singapore)
    • Hermes Summer 2016 Windows (Singapore)
    • Encounters, BIOME with STPI
    • Everything But Gold
    • A thousand half-loves
    • Through Love
    • In Your Hands
    • Umbra
    • I'll leave the light on for you
    • En Passant
    • Love Hotel
    • Don’t you see, baby, this is perfection
    • Lavenda Health Spa (An Eminent Takeover)
    • Club de Bosses KTV, Eminent Plaza Street Level & Kings ARI
    • 100% Linen (Edition 1)
    • After You (Jeanette I & II)
    • The Button Project
    • Playsky
    • Runaway Objects
  • ARCHITECTURE & DESIGN PROJECTS
    • Gravity Zero
    • Mirage by the Lake
    • Double Happiness
    • The Sustainable Shop >
      • Wish Belt
    • Button in Exchange with Sol LeWitt
    • Solution 1.2 & More Solution 1.2
    • MatriXial Technologies >
      • The Silver Capsule
    • Cloudwalk (Tanjong Pagar Rail Corridor proposal)
    • Dream Promenade
    • Manama Lagoon
    • Wangz Hotel
    • The Waves
  • PRESS/INTERVIEWS
  • CONTACT
Picture

​“Are you cold?”
“Have you eaten?”

These are some questions that are usually followed by actions to feed, to show care for, or even to embrace the intended. For many traditional Asian families, the actions form some kind of love languages when sometimes utterances of “I love you” are not practiced.

With this exhibition, I am looking at the notion of us being connected to one another through craft and rituals - love languages - at the intersections of the politics of care, making and storytelling. By looking at some of my projects that share these similar threads, I hope to expand the complexity of the stories behind the processes and works that are significant to me: there are past intergenerational wisdom or knowledge systems involved, specifically with
the matrilineal stories about the struggles and hope, of intimate labour and kinkeeping. These crafting processes and rituals were (and still are for many) about artistry and financial and social stability, about making a living, about resilience.


Picture
Tradewinds (Bayu laut)
Cotton table runner, embroidery with silk thread, assorted haberdasheries, pins
2 of 36 x 229cm
2024

Picture

Details of ​The moon by my side​, 2024

Picture
Soft is the roof of my houses (I, II)
Vintage patchwork, stainless steel, thread, Naomi Shihab Nye's poem Two Countries printed on tracing paper, magnets
2 of 11.5 x 12 x 12cm
1965-2024

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